![]() ![]() Best of all, as you adjust these settings, the preview just below will show the effect it’s having on the brush. 1% spacing will move almost imperceptibly before making its next mark. 100% spacing, for instance, will move 100% of the size of the brush before making another mark on the canvas. ![]() Lower spacing makes for a smoother stroke, while higher spacing places those brush-shaped marks farther apart. ![]() Near the bottom of this palette you’ll see a mockup of what the current brushstroke will look like in use, and just above that is a checkbox and slider for adjusting the Spacing. To eliminate the issue by adjusting the brush’s spacing, start by clicking on the Brush menu found under the Window dropdown menu (also accessible by the Brush Palette icon to the right of the brush size indicator in the options bar) and go to Brush Tip Shape atop the Brush palette. ![]() This makes it very difficult to create refined edges whether you’re cloning, painting or masking. The result is a succession of overlapping circles that can look like an almost deliberately scalloped edge. If you set a brush to a hard opacity and click and drag a brushstroke, you won’t see one long, smooth, natural edge because Photoshop is essentially applying a series of brush shapes one after the next rather than one truly continuous stroke. Circle patterns (or, more accurately, distinct brush-shaped patterns) are most pronounced when working with a hard-edged round brush, but they can occur with soft edges and any brush shape. ![]()
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